What to Expect: Book Reviews and Reflections

I plan on writing up some reviews/reflections on a few of the following books this month. I have yet to choose which ones from this list of what I am currently reading.

Wuthering Heights by Emily Bronte

Pride and Prejudice by Jane Austen

The Feminine Mystique by Betty Friedan

Democracy, Culture and the Voice of Poetry by Robert Pinsky

Three Guineas by Virginia Woolf

Satanic Feminism: Lucifer as the Liberator of Woman in Nineteenth-Century Culture by Per Faxneld

I am really leaning towards a reflection of Wuthering Heights for sure and a review of Democracy, Culture and the Voice of Poetry.

-Alina

Marilyn Manson’s latest release ‘Heaven Upside Down’

After years of Marilyn Manson and countless albums, we’ve come to ‘Heaven Upside Down‘ released only a couple weeks ago. ‘Heaven Upside Down’ calls back to the era of Manson where blame was put on the shock rocker for multiple problems within society (notably the Columbine Shootings which would mark Manson for the rest of his career).  Marilyn Manson a.k.a. Brian Warner seeks to shake the public from the comfort it finds within institutions that dumb them down and constricts them to beliefs that may be seen as more harmful (his opinion) than beneficial (Christian religions). It is worth it to look into the philosophical beliefs that Manson has himself and to acknowledge that behind his in your face attitude and abrasive personal beliefs there lies a man that is more brain and wits than just pure “Fuck You!” anthems on repeat.

‘Heaven Upside Down’ reminds me of a few earlier albums by Manson such as Mechanical Animals, Holy Wood, and The Golden Age of Grotesque (albums from the years 1998-2003). The ‘pop-iest’ song on the album I feel would be ‘KILL4ME’ that hooks listeners into a repeated chorus “Would you kill kill kill for me?”, a reminiscent love song that harkens back to the overwhelming betrayal and questioning in ‘The Golden Age of Grotesque’. There are also many songs on the album that comment on the socio-political state of America right now giving the album more weight with its sharp lyrical statements and catchy rhythms, songs such as ‘Saturnalia’ ‘Revelation #12’ and ‘WE KNOW WHERE YOU FUCKING LIVE’. A few songs that remind me of the album ‘Mechanical Animals’ would be ‘Je$u$ Cri$i$’ and ‘Blood Honey’. For ‘Holy Wood’ I would argue for ‘SAY10’ and ‘Tattooed in Reverse’. Although I do feel like many of the songs on this album synthesize multiple elements from these three albums, these particular songs could be interchangeable in where they would fit under as songs like those on ‘Mechanical Animals’, ‘Holy Wood’, or ‘The Golden Age of Grotesque’ songs.

This latest album by Manson is a welcomed one. I find relief in the music by one of my favorite artists especially in times like these. I would recommend this album to anyone with an open mind, well versed or new, to the music of Marilyn Manson, it is an album fitting for the season and year but not one to listen to lightly or shuffle through.

Music Videos thus far for songs on the ‘Heaven Upside Down’ album


 

Thank you for reading my writing! I hope you will return in the future! 

-Alina 

Blade Runner 2049

Blade Runner 2049  is a worthy sequel to the first Blade Runner (1982). This movie is packed with so much detail and references to the first that it requires multiple viewings. The plot is simple, ‘K’ (Ryan Gosling) goes in search of an old Blade Runner, Rick Deckard (Harrison Ford) to get some answers. There is too much involved in this simple plot and if I were to give out too many details it would ruin the surprise. The questions that I have are simple and have been explored by other reviewers of the film. ‘Reviews’ not so much, more like critiques. There are two aspects of the film that I found myself questioning. They are as follows 1) role and representation of female figures 2) white male as the oppressor and oppressed in the ‘future’….hmmm

(Possible Spoilers* from here on that don’t ruin the SUPRISE)

*The screen is taken up by K as the leading male role. We are introduced to his mundane life and learn that he is a replicant and Blade Runner working for the future LAPD. His boss Lieutenant Joshi (Robin Wright) is the only real human woman that he comes into contact with for a good portion of the film. Joshi is tough and emulates a masculine domineering figure over K. At one point Joshi actually demeans K and hits on him at the same time. For Joshi, K is just another weapon she can use to get her job done. This representation of the female figure in 2049 can be contrasted with K’s girlfriend who is a hologram, created and programmed specifically to emotionally please their owners. This holograms name is Joi (Ana de Armas). In the very first scene we actually see Joi she is wearing a 1950’s dress and presents K with a hologram meal of steak and fries that she places over his mundane ‘real’ one. She is constantly flickering here and there donning different clothes (often in the same scene) and asks K about his day. She is manufactured, presented, and used just to please K in the same way as he was created to be a Blade Runner and ultimately hunt down his own species (replicants). So with this first example, my question is, What is Blade Runner 2049 suggesting about the Female/Male relationship (replicant or not) and more importantly what is 2049 saying about the Female in its world? Asking this question along the lines of the heteronormative suggestion that 2049 focuses on.

When I asked myself these two questions after the film, I was disturbed. I love the original movie but I do have a few problems with both when it comes to presentations of the Female. For instance, the ‘love’ scene where Deckard (Harrison Ford) forcibly ‘manhandles’ Rachel (Sean Young) and in the end, they are seen by audiences ‘making out’ (Blade Runner). Rachel is introduced to Deckard in a similar way as audiences are introduced to Joi both are quiet, beautiful, and there to be looked at and enjoyed. They have little to no authority over their own bodies and they are controlled by the dominant male. In 2049, I feel the issue of the ‘real’ Female representation is more serious. Besides Joshi, there is only one known ‘human’ (or part human) female in the entire movie. The ‘real’ females, the ones that ‘have children’ (which seems to be valued above all else, the discussion of birth vs. creation) is almost non-existent. This aspect supports the synthetic future within the film, where everything is a copy of a copy and almost NOTHING is actually organically birthed (except for humans which of course, are the oppressors).

The second aspect of Blade Runner 2049 was that it is a crime noir film with the usual white men (real or replicant) fighting against other white men (bad guys, good guys, detectives, murder, etc). The replicants, K especially, are oppressed and controlled by humans. In contrast, those today who are victims of oppression and discrimination every day within our own society (minorities) are not fully present within the film. There are less than five (characters that are not white) presented in the film which I found curious since, if Blade Runner 2049 is at all set within a dystopian future that suffers from overpopulation, why is everyone white? The notable traces of Asiatic countries and their presence is seen in both Blade Runner’s but whenever the main characters talk to anyone not speaking English, they only respond in English ( for example the scene where K goes to a shop owner to find out if a wooden horse is made from real or synthetic wood). Although I love Blade Runner 2049 for its visual aspects (the scenes are shot beautifully and the color schemes paired with the soundtrack is awe-inspiring), It is a movie that makes me question exactly what it is saying to its audiences and specifically which audiences?

Overall, I would recommend any fans of the old Blade Runner to go and see this film maybe not with the intention of looking too closely into the details since what we can find there is more disturbing than comforting.


 

Thank you for reading my writing, I hope that you will return in the future! 

-Alina 

Album Review: Chelsea Wolfe’s “Hiss Spun”

Chelsea Wolfe’s latest album “Hiss Spun” was released on September 22nd of this year. “Hiss Spun” is her fifth album and features a synthesis of her trademark gloom-folk rock * that echoes with her uniquely haunting voice. The complexities within each song on the album are to be admired; mixing heavy guitar and pulsing drums that bring a feel of the darkly ritualistic. Notable tracks on this album (that stand out to me) include 16 Psyche, Vex, and Offering.

Chelsea Wolfe’s music offers (no pun intended on track ‘Offering’) an essence of the dark spirit that resides within us all. Her voice feels as if it echoes from a dimension within our minds and the human experience that is primal and yearning. To embrace her music is to expand your mind to the possibilities of the spirit and at the same time acknowledge your own quiet inner voice that echoes with Chelsea’s.

This is a short review and is more of a personal opinion than a complete deconstruction of the elements within this album. My goal is to queue the interest of readers so that they may want to listen to her music and see what they think for themselves.

Thank you!

-Alina


* Chelsea Wolfe, Spotify page ‘about’ describes her music as “doom-drenched electric folk”

Featured Image photo source: www.instagram.com/cchelseawwolfe

 

My Favorite Tracks: Chelsea Wolfe

Chelsea Wolfe’s magnetic voice echoes across a world of emulated darkness, a darkness that is welcomed. Her music often exudes a sense of other-worldliness, or a world we have long since forgotten, with tribal drums and mysteriously magical lyrics. I would say Wolfe touches on a darker and truer form of the human psyche, one that may still believe in old Gods and worship them, or one were there is an endless abyss that is a more holistic definition of human life.

That being said, here are some of my favorite songs by Chelsea Wolfe,

I am excited for the release of her new album HISS SPUN on Septebmer 22nd of this year and her upcoming American tour!

Chelsea Wolfe is coming to SALT LAKE CITY~! Oct. 28th at the Urban Lounge

 

Thank you for taking time out of your day to read my posts! I hope you will return in the future! -Alina