Reflection on 101WKQK’s Interview with “Nine Inch Nails” (Being an “Old Rock Band”, Social Media and the Artist)

(featured image is a still from one of 101WKQK’s interviews with NIN)

I recently watched a short snippet provided on youtube of an interview with “Nine Inch Nails” by 101WKQK (published on youtube.com on Oct. 6th, 2017). The questions were answered by Trent Reznor, leading frontman, and revolved around NIN’s relation and involvement in Modern Day Festivals.

I found this seven-and-a-half minute interview illuminating as Reznor touched on being in an “Old Rock Band” still playing today alongside young musicians. Reznor also talks about being an artist and what that means to him in regards to how artists place themselves in the public sphere (social media etc.). Atticus Ross sat by Reznor and did not say much, whispered to Reznor frequently but said almost nothing.

I am a HUGE fan of Reznor and his projects with Atticus Ross (soundtracks for major motion pictures) and I loved NIN’s latest release “Add Violence” which came out in July. I was curious to hear his commentary and views on being an “Old Rock Band” particularly one that still plays instruments versus the computer-generated sounds and DJing which have taken over in the music industry as the popular form.

I personally like both kinds of music but relish in hearing music that is made solely by I guess they would be called now “classic” rock instruments; guitar, bass, drums, vocals, with little to none add-ons done after recording (background noise, effects, synthetic sounds) of course NIN’s music has way more involved than just the classic instruments but it is the fact that they still play and use them that makes them one of the “Old Rock Bands”. There is something amazing and beautiful hearing a band actually play instruments and create sound but there is arguably no difference between someone playing an instrument to create music versus playing on programs and computer software, the outcome is still the same, we get music and it does take talent and skill to create music that is generally accepted to be good or even legendary.

In the interview, Reznor was asked how it feels to play big music festival shows, particularly the two that they performed at this year. Ross whispers to Reznor every once in a while in response to the questions, I think Ross was more of letting Reznor take the reigns of answering these questions for this interview. Reznor replied,

“I think rock bands are out of fashion generally, you know these days but I don’t give a shit.”

Later going on to comment generally on how the younger artists such as Frank Ocean and DJ Khaled are completely different artists than NIN. Reznor also remarks on the need today for everyone to be on all social media, or as a platform for artists to have everything out there and available for audiences,

“I’m a big believer in less is more on that front and I said this elsewhere but…our decision making collectively comes from our experience….our tastes and our judgement…and the endless amount of decisions made…are not based on what we [NIN] think you’ll like but what we know we like…”

Reznor continues on the subject of social media and how, in his opinion, why people participate in it,

“…I think that now as everyone’s a publisher, everybody’s got a blog, and everybody’s got a facebook profile and instagram and snapchat, the world can’t wait to see everything about ‘my fantastic life’ that I’m presenting to you through a distorted lens about how awesome it is…”

This conversation on social media and the artist leads Reznor on to reflecting how he listened to music while he was growing up and that he rarely ever saw a picture of the actual band (which he loved, such as Pink Floyd) and that because of this there was a mystery about these bands, they were like “gods” to him that he could connect to according to how he felt when listening to their music. Reznor believes that it is important for the artist to have a little bit of mystery to them to fascinate people,

” I have grown to believe that trying to stay out of the limelight a bit, leave something to the imagination and I think an artist should be mysterious in my opinion…try to avoid the need to over saturate yourself…”

Reznor also mentions that although he does not believe personally inputting your entire life out there on social media that that is a particular thing for him and what it means to him to be an artist,

“…Times are different…I’m not trying to say its wrong…but I do think there are some lessons to be learned about the role of the artist, the role of art, the role of music, we still base it on what it was to us, what it meant to us, what matters to us…”

(quotes are from time marker 2:10-6:40)

I resonated with a lot of what Reznor discussed in this interview mainly because I have similar viewpoints and opinions on social media, the artist, and “Old Rock Bands”. I don’t have a facebook, on purpose, I think it is a total waste of time and I remember in high school when I did have one and it was starting to gain this traction as a thing where having as many “friends” as possible was what was desired. It was also growing to be more popular and more widely used by everyone I knew then, the now ancient and relatively unknown “Myspace”. After graduating from high school I “deleted” my facebook account because I wanted to start fresh, interpret that however you like I don’t care.

It is only in this year ( I am not counting my addiction to Tumblr that started in 2013 and reigned until the beginning of this year) that I finally got a Twitter (and kept it), got an Instagram and created this blog. I have held a very strong belief that if anyone wanted to be apart of my life they would come into my life, by this I mean, knowing what I’m doing, where I hang out, what I like, what food I eat, which is all the information that people generally share with everyone (the entire world) on most social media sites. I am still reluctant to be apart of an online community and put myself out there because I think there is something to be valued in an individual experience or one among a few people but times are changing and I acknowledge that I may be left in the dust if I don’t jump on the band wagon in some form or another (however I am aware of how much information I am putting out there on the internet and what it means to me).

I am an artist in that I am a musician, a Writer, and I actually create art, paintings, drawings etc. These are the ways in which I express myself and that I can connect with others. Reznor’s comments on the artist as a mysterious person I think is valid. There is so much more left to the imagination that is up for the audience to fill in. I do not know how people percieve my work in its many forms and I don’t care because all that matters is that I am getting my work out there and I hope there is a chance that it will help or mean something to someone who feels they can connect with it, that’s it.

Also, Reznor’s reflection on how he grew up listening to music gave me a kind of relief because I have a similar style to his. If I find new music that I enjoy the very last thing I do after listening, usually to a full album, of their music for a few months is google them. I make it a point not to look up a band’s pictures or history until after I decide I want to know more. This is an interesting venture for me now because I do like to use Spotify which has almost all of a bands info available alongside their music but it is a habit I’ve had for as long as I can remember. After I do look at pictures and info, I watch music videos which are a hit or miss experience for me every time. I can love a song for months and finally watch the music video which influences my interpretation of the song and how I feel about it after. I am trying to get better at this and look at music videos as another format of a song, an entity that can be evaluated seperately from the song, this does help but it is difficult because lines are blurred between the two most of the time, where does the art stop and start?

Overall, I wanted to post a quick reflection on this interview because I loved it and obviously related to what Reznor was saying. I hope that for any fans of NIN out there, they also find this interview if so talk to me! Let me know what you thought of it!

 

Thank you for reading my writing, I hope you will return in the future! 

-Alina 

 

Note: I am thinking about doing a quick review of “A Perfect Circle’s” single release “The Doomed” which has been available to audiences for a little over a month now. Any thoughts?

What to Expect: Book Reviews and Reflections

I plan on writing up some reviews/reflections on a few of the following books this month. I have yet to choose which ones from this list of what I am currently reading.

Wuthering Heights by Emily Bronte

Pride and Prejudice by Jane Austen

The Feminine Mystique by Betty Friedan

Democracy, Culture and the Voice of Poetry by Robert Pinsky

Three Guineas by Virginia Woolf

Satanic Feminism: Lucifer as the Liberator of Woman in Nineteenth-Century Culture by Per Faxneld

I am really leaning towards a reflection of Wuthering Heights for sure and a review of Democracy, Culture and the Voice of Poetry.

-Alina

Thoughts on the Action of Claiming One’s Own Identity

I belong nowhere in this world because of who I am, what I am, and what I identify as. I am ‘unremarkable’ and a ‘problem’ to society. I am not my sex and I am not my gender, I am I, without and with influence from the world. I have taken what was forced on me and I reject it. I make my own identity. It is not for anyone to decide if I am a Woman, a Female, or if I am feminine enough to qualify. I will not bend my head into submission and will not ‘sit down and be quiet’. I am not sorry. I will not ask for forgiveness for anything I have done or said because my actions are ‘unjust’. My actions are moral, my actions are right and fair because they do for me what no one else can which claims my identity as my own, as I define it.

It is with these actions of mine, my marked ‘defiance’ against everything forced on me, that I hope to make a small step towards the liberation of all that are constantly pressured to fit into a certain form and definition that includes duties and expected behaviors relating to sex and gender. And It will not stop at sex and gender, it will go beyond to Race, a predominate identifier that requires liberation from presuppositions within society that again try to define who or what a person is and more importantly their worth. We must start at the core of sex and gender which are interwoven with identity and race and redefine their meaning, their functions, and their ‘place’ within society in order to gain freedom.

I want to act and inspire others to act and gain their own deliverance in hopes that one day there will be no definitive function, structure, formula, or operation for what is a ‘Man’ or a ‘Woman’ or more simply who is a ‘Person’. I want freedom for all from the pressures of ‘masculinity’ and ‘feminity’, from ‘Man’ and ‘Woman’, from ‘Worth’ and ‘Race’. I want freedom for the self because every being should have the right to their own freedom and definition of worth within a society.

There are walls to be torn down, barriers to be broken, and voices to be heard. The generations after should be free and undefinable by anyone except themselves. To be treasured and valued by others for who you are as you know yourself to be, as a multifaceted being that cannot be easily simplified or categorized or identified within a society, is a dream worth acting on. Our dreams today will be realities for generations of the future.

So I will not ‘shut up’, I will not ‘sit down’. I will look you in the eye and tell you who I am because I am not afraid to be honest, or real, or true to myself and others like me. I will use these words as actions and I will not be ‘quiet’.

Sincerely and Justly,

Alina Happy Hansen

 

9/11: A Day of Remembrance

Every year on this day America remembers the loss that we experienced on September 11th, 2001. A day that changed America dramatically. Even though I am young, I still remember that day and my own memories and experiences on that day still vividly remain with me. There are no words that can accurately describe the pain and loss that we felt as a nation 16 years ago and still do today. It is in this small way that I acknowledge the significance of today and my own responsibility as an American to give my respect.

-Alina Hansen

Album Review: Lana Del Rey’s “Lust for Life”

(photo by Neil Krug )

Just a few weeks ago, sad-pop singer Lana Del Rey released her latest album Lust For Life which contains 16 mind-blowing tracks that span a range of relevant topics but stick true to her ‘Summertime Sadness’ trademark. Lana Del Rey’s songs possess a nostalgia for an Americana landscape full of classic heroes and anti-heroes such as James Dean, Marilyn Monroe, Jim Morrison and God. Lana Del Rey a.k.a. Elizabeth Grant often blurs the lines between her persona and her self (Lizzy) or so the public thinks. Evidence of these blurry lines can be seen on stage when she performs, her presence is intense and mimic’s tones found in her music videos but there is something there within her that is honest and very very personal as she sings.

https://www.youtube.com/watch?v=xtUeTe8uGFs

Lana Del Rey is a bad girl who lives in a past-present time shift full of drugs and abusive men, attributes that are linked to Lizzy’s personal life which she has used to evoke her inner muse since the beginning. Lana holds the reigns for a the millennial generation that can relate(?) to hard love, drugs and crime (possibly). Old American styles, and Hollywood icons that have been canonized by American culture are used creatively to highlight and paint her music, making her work uniquely American. Relate-able or not, Lana is doing something that no other musician is at this time, she is synthesizing her experiences and music with specific themes that evoke another life all together. Simply put, the world that Lizzy creates from her influences such as Americana and old Hollywoodland gives her a unique style that can only be found in her music and Lana Del Rey persona.

What does Lust For Life do that Lana’s other albums don’t?

Honeymoon, Lana’s previous albumwas released only two years ago but is a completely different animal from Lust for Life. It appears that Lana’s inward journey through reflecting on her romantic past is finally moving onto a social critique of a present day America. Can anyone blame her? In these troubling times it is more important than ever that cultural icons such as artists, musicians and actresses take a stand and speak out against ignorance and intolerance, they are the most viewed positions in our society for their relevance in our day-to-day lives (music/movies/performances) and they have the ability to speak to large audiences in monumental voices. It is evident that Lana is aware of this fact as she brings up socio-political issues in her songs while evoking past events such as ‘Coachella-Woodstock in My Mind’, the Beatles references (‘Tomorrow Never Came’) while at the same time nodding her head in recognition to one of her big influences Nirvana and Kurt Cobain (‘Heroin’). Her romances are still present and paint this album with darker blues in tracks such as ‘White Mustang’, ‘Cherry’, and ‘In My Feelings’. The handful of themes found within these tracks reflects moods that color the entire album as an intense vibrant experience full of love, life and worries. It’s as if the album is saying, I have my own issues with love and life but it’s worth it even when the world feels like it’s falling apart, this is evident in ‘When the World was at War we kept Dancing’.

Lust for Life also evokes more hip-hop tones that call back to Lana’s Born to Die album from 2012. There has been more discussion lately on cultural-appropriation in music and this topic is brought up in a recent interview with The Complex Cover.

Lana leaves us out of breath and bathing in a summer of blues and reflection as always but especially this year her album feels like a sucker punch to the gut chased with a hard drink leaving us dazed and close to knocked out for good.

MY PERSONAL RATING FOR LUST FOR LIFE :  4.5/5

I’ve been a Lana Del Rey fan since Born to Die, following Lana’s work closely for the past five years. I admire her skill to weave in multiple cultural references throughout her work while maintaining a strong theme and presence of self reflection. I love her blues and attitude towards the past which I find thought provoking. The only issue I have ever had with Lana is that she is not a feminist and the males in her songs are often volatile and abusive recalling a time (1950’s- ’60’s) when women were used up and treated as less than men (guess what….it’s still happening!!!). I respect Lana (Lizzy) as an individual and still admire her work regardless of her stance on feminist issues.

MY TOP TRACKS:

White Mustang

Summer Bummer

In My Feelings

Tomorrow Never Came

Heroin

 

SIDE NOTE:

The only question I have for Lana Del Rey,

Is Lust For Life a reference to Iggy Pop’s Lust for Life song???

If not, cool, if so…suddenly my three favorite things can be connected Iggy Pop, Lana Del Rey, and Trainspotting!


 

If you are reading this Thank You for taking time out of your day to read my writing!

I hope you will return in the future!

-Alina