Chelsea Wolfe’s magnetic voice echoes across a world of emulated darkness, a darkness that is welcomed. Her music often exudes a sense of other-worldliness, or a world we have long since forgotten, with tribal drums and mysteriously magical lyrics. I would say Wolfe touches on a darker and truer form of the human psyche, one that may still believe in old Gods and worship them, or one were there is an endless abyss that is a more holistic definition of human life.
That being said, here are some of my favorite songs by Chelsea Wolfe,
I am excited for the release of her new album HISS SPUN on Septebmer 22nd of this year and her upcoming American tour!
Just a few weeks ago, sad-pop singer Lana Del Rey released her latest album Lust For Life which contains 16 mind-blowing tracks that span a range of relevant topics but stick true to her ‘Summertime Sadness’ trademark. Lana Del Rey’s songs possess a nostalgia for an Americana landscape full of classic heroes and anti-heroes such as James Dean, Marilyn Monroe, Jim Morrison and God. Lana Del Rey a.k.a. Elizabeth Grant often blurs the lines between her persona and her self (Lizzy) or so the public thinks. Evidence of these blurry lines can be seen on stage when she performs, her presence is intense and mimic’s tones found in her music videos but there is something there within her that is honest and very very personal as she sings.
https://www.youtube.com/watch?v=xtUeTe8uGFs
Lana Del Rey is a bad girl who lives in a past-present time shift full of drugs and abusive men, attributes that are linked to Lizzy’s personal life which she has used to evoke her inner muse since the beginning. Lana holds the reigns for a the millennial generation that can relate(?) to hard love, drugs and crime (possibly). Old American styles, and Hollywood icons that have been canonized by American culture are used creatively to highlight and paint her music, making her work uniquely American. Relate-able or not, Lana is doing something that no other musician is at this time, she is synthesizing her experiences and music with specific themes that evoke another life all together. Simply put, the world that Lizzy creates from her influences such as Americana and old Hollywoodland gives her a unique style that can only be found in her music and Lana Del Rey persona.
What does Lust For Life do that Lana’s other albums don’t?
Honeymoon, Lana’s previous album, was released only two years ago but is a completely different animal from Lust for Life. It appears that Lana’s inward journey through reflecting on her romantic past is finally moving onto a social critique of a present day America. Can anyone blame her? In these troubling times it is more important than ever that cultural icons such as artists, musicians and actresses take a stand and speak out against ignorance and intolerance, they are the most viewed positions in our society for their relevance in our day-to-day lives (music/movies/performances) and they have the ability to speak to large audiences in monumental voices. It is evident that Lana is aware of this fact as she brings up socio-political issues in her songs while evoking past events such as ‘Coachella-Woodstock in My Mind’, the Beatles references (‘Tomorrow Never Came’) while at the same time nodding her head in recognition to one of her big influences Nirvana and Kurt Cobain (‘Heroin’). Her romances are still present and paint this album with darker blues in tracks such as ‘White Mustang’, ‘Cherry’, and ‘In My Feelings’. The handful of themes found within these tracks reflects moods that color the entire album as an intense vibrant experience full of love, life and worries. It’s as if the album is saying, I have my own issues with love and life but it’s worth it even when the world feels like it’s falling apart, this is evident in ‘When the World was at War we kept Dancing’.
Lust for Life also evokes more hip-hop tones that call back to Lana’s Born to Die album from 2012. There has been more discussion lately on cultural-appropriation in music and this topic is brought up in a recent interview with The Complex Cover.
Lana leaves us out of breath and bathing in a summer of blues and reflection as always but especially this year her album feels like a sucker punch to the gut chased with a hard drink leaving us dazed and close to knocked out for good.
MY PERSONAL RATING FOR LUST FOR LIFE : 4.5/5
I’ve been a Lana Del Rey fan since Born to Die, following Lana’s work closely for the past five years. I admire her skill to weave in multiple cultural references throughout her work while maintaining a strong theme and presence of self reflection. I love her blues and attitude towards the past which I find thought provoking. The only issue I have ever had with Lana is that she is not a feminist and the males in her songs are often volatile and abusive recalling a time (1950’s- ’60’s) when women were used up and treated as less than men (guess what….it’s still happening!!!). I respect Lana (Lizzy) as an individual and still admire her work regardless of her stance on feminist issues.
MY TOP TRACKS:
White Mustang
Summer Bummer
In My Feelings
Tomorrow Never Came
Heroin
SIDE NOTE:
The only question I have for Lana Del Rey,
Is Lust For Life a reference to Iggy Pop’s Lust for Life song???
If not, cool, if so…suddenly my three favorite things can be connected Iggy Pop, Lana Del Rey, and Trainspotting!
If you are reading this Thank You for taking time out of your day to read my writing!
I am overwhelmed by the music being released this year already…so much I love and so much to look forward to.
One album soon to be released (July 21st, Friday) is Nine Inch Nails ADD VIOLENCE EP.
Two songs have been released already to the public LESS THAN and THIS ISN’T THE PLACE. The latter song was put up just yesterday on NIN’s official youtube channel. The song is melodic, slow and infectious. The video features a machine (audio equipment?) with knobs/buttons/lights labeled phrases such as ‘Amplify Chaos’ and ‘Add Violence’, as the song goes on the camera slowly pulls back revealing more of the machine.
The video is simple and after I viewed it for around the 50th time (not kidding) a few ideas came to me. I have long loved NIN and have worshiped creations by Trent Reznor. His lyrics and technique in song writing is extraordinary. Reznor often critiques society/politics and inner turmoil among other things in his song lyrics (think album YEAR ZERO).
A connection between Year Zero and ADD VIOLENCE is definitely there and NIN has given information about this. Info in article here.
My impression from the video might be a bit of a stretch but this is what I got, old machine (audio equipment of some sort, I’m guessing) appears aged and beaten up a bit but everything appears to ‘work’ as the machine turns on and comes to life. The machine could be a metaphor for a society that still runs on ‘old technology’ or ideals (phrases on buttons/knobs). A reference that comes to my mind is the machine in the underground facility in the early 2000’s TV show LOST. I’m not sure if this is audio equipment but if it is then my idea of a society that runs on ‘old technology or ideals’ could be the spoken word/thought process that is ‘old/archaic’ and still being used today. A bit of a stretch yes but that’s what I think of.
A few thoughts on the video for LESS THAN. Video begins with a woman staring at a TV screen with game controller in her hands (TV looks like an old chunky TV from the 90’s or early 2000’s) a neon bright animation is shown on the TV screen similar to a retro video game from the ’80’s . Lyrics are digitized and zoom up into the viewers face. This reminds me of virtual reality and societies trends today that revolve around the style and technology of past generations. It is as if the woman, in the video, is being consumed by this ‘new/old’ technology until her identity becomes nothing. The repeating line at the beginning of the chorus, “So what are you waiting for? You got what you asked for.” brings to my mind the idea that millennials (myself included) demand more of everything and for a generation that is overloaded with technology in their life, most of us get sucked into a ‘virtual reality’ of what ‘life is like’ (how people look, what people do, who they are etc. think social media/fashion trends and airbrushing photos for flawless skin). The end of the video has quick shots cut in of what I think is a hand reaching out of the TV…reference to VIDEODROME? Not sure but that’s what comes to mind.
(VIDEODROME (1983) photo source: imdb.com)
To sum it all up, I am excited for this new release from NIN and will be purchasing a digital copy and most likely a vinyl copy as well for my collection!!!
Please feel free to leave any comments below!
Thank you for reading my writing and I hope you return in the future!
-Alina
p.s. I haven’t started watching the new season of Twin Peaks yet but damn NIN on the show is wicked, see video here.
