30 Poetry Books You Must Read: How-to’s, Collections and Anthologies

Here is an extensive list of 30 poetry books I highly recommend! You’ll find how-to’s on writing poetry, collections, and anthologies of poems.

Do you have poetry books that you’d recommend? Leave a comment below and let’s chat!

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Books on Writing Poetry

Here are my top four reference poetry books that I use to write my poems. Complete with how-to’s, advice, and details on countless poetry forms.

Poemcrazy: freeing your life with words by Susan Goldsmith Wooldridge

New Rhyming Dictionary and Poets Handbook by Burges Johnson

Modern American Poetry Edited by Louis Untermeyer

Princeton Encyclopedia of Poetry and Poetics

A Book of Women poets from Antiquity to Now Edited by Aliki Barnstone and Willis Barnstone

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Poetry Collections & Anthologies

These are some of my absolute favorite poetry collections and anthologies. They span the old and the new, and I just can’t get enough of them. If you’re looking to dive into poetry, I recommend you pick up one of these and give it a go!

The Vintage Book of Contemporary American Poetry Edited by J.D. McClatchy

The Complete Poems of Emily Dickinson

Selected Poems and Letter of Emily Dickinson Edited by Robert N. Linscott

Leaves of Grass by Walt Whitman

The New Modern American and British Poetry Edited by Louis Untermeyer

The Collected Poems of Wilfred Owen Edited by C. Day Lewis

The Faber Book of 20th Century Verse Edited by John Heath-Stubbs and David Wright

The Complete Poems of Marianne Moore

Birds, Beasts, and Seas: Nature Poems from New Directions Edited by Jeffrey Yang

Howl and Other Poems by Allen Ginsberg

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Love Poems of Ovid

Ovid: the Metamorphoses Translated, and with an Introduction by Horace Gregory

Rilke: A Life by Wolfgang Leppmann

The Collected Poems of Theodore Roethke

The Selected Poetry of Rainer Maria Rilke Edited and Translated by Stephen Mitchell

The Odyssey Translated by Robert Fagles Introduction and Notes by Bernard Knox

i six nonlectures by E.E. Cummings

Herman Hesse Poems Selected and Translated by James Wright

A Season in Hell and The Drunken Boat By Arthur Rimbaud Translated by Louise Varese

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A Wild Patience Has Taken Me This Far: Poems 1978-1981 by Adrienne Rich

Selected Poetry of Johann Wolfgang Von Goethe

The Laurel Poetry Series: POE

One Hundred Modern Poems selected with an introduction by Selden Rodman

Anthology of Modern Japanese Poetry translated and compiled by Edith Marcombe Shiffert Yuki Sawa

No Nature: New and Selected Poems by Gary Snyder

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Review: “E.E. Cummings: A Selection of Poems”

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I recently finished reading this book of poems, a selection of poems by E.E. Cummings, this collection featured fantastic poems that display Cummings love for the written word, skills in typography and his particular use of punctuation and enjambment.

Originally published in 1923 this selection contains poems that might be considered risky even in the ’20’s about sex and sexual urges. There are also poems that display Cummings ongoing “un-doing” of words, punctuation and the typographical form of a poem on the page. A consistent pattern that I noticed towards the end of this collection is his use of “un”.

In the poem, “pity the busy monster, manunkind” (pg.125), “un” is used to undo and possibly invert not only the meaning of words such as ‘mankind’, ‘wish’, and ‘self’ but to put these words and their meanings on their head (or in on themselves). Cummings weaves in words such as “disease”, “electrons”, “hypermagical”, and “ultraomnipotence”, his puts some words together while emulating (I think) a sing-song voice that reminds me of advertisements for cure-alls.

The poem, I think, talks about the ‘silliness’ of mankind and death which is always present. I wonder if this poem is specifically about death as an unavoidable reality regardless of how far mankind has “progressed” or if it is making fun of people that believe in the progress of mankind to overcome death? Is the “hypermagical ultraomnipotence” a reference to god? I am not sure.

I would love to read some criticism of this poem and others published around the same time to help me better understand where Cummings is going with his poetry. I honestly felt that although Cummings was tearing poetry apart, in terms of form and style and creating something all his own, his poems operate on the same mastery levels like the greatest poets who lived hundreds of years before Cummings time.

Cummings poems may look like simplistic easy-reads but there is really so much more packed into them than meets the eye. I love reading E.E. Cummings and have a couple other books of his poems that I love just as much as this one and highly recommend to readers,

“Etcetera: The Unpublished Poems” by E.E. Cummings

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“No Thanks” by E.E. Cummings

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photo sources: goodreads.com

A plus note about “E.E. Cummings: A Selection of Poems” is the introduction by Horace Gregory which adds some flavor and plenty of words from Cummings himself on his poetry and poetry in general. This introduction really adds to the experience of reading this book of poetry in its entirety. My edition is a 1965 reprint edition and can be found on Amazon.

Alina’s Rating: 5/5